Catalogue

COVID-19: Updates on library services and operations.

Making slavery history [electronic resource] : abolitionism and the politics of memory in Massachusetts /
Margot Minardi.
imprint
Oxford ; New York : Oxford University Press, 2010.
description
ix, 228 p. : ill. ; 25 cm.
ISBN
0195379373 (hardcover : alk. paper), 9780195379372 (hardcover : alk. paper)
format(s)
Book
More Details
imprint
Oxford ; New York : Oxford University Press, 2010.
isbn
0195379373 (hardcover : alk. paper)
9780195379372 (hardcover : alk. paper)
restrictions
Licensed for access by U. of T. users.
catalogue key
9543874
 
Includes bibliographical references and index.
A Look Inside
Reviews
Review Quotes
"[A] smart, creative, and provocative account...Making Slavery Historyrepresents one of those rare books that can be savored in part and devoured in whole...Minardi's narrative masters the art of using small stories to tell large tales. She not only reveals who makes history and how history gets made, she reminds readers why the stories the living choose to tell about the dead really matter at all." --The New England Quarterly "Minardi s book is a passionate and much-needed reminder both of 'the power of memory to move us, hopefully and purposefully, through a broken and tumultuous world,' as well as the power of memory to sharpen resistance to change and hinder some futures." --Civil War Book Review "Excellent monograph...Making Slavery Historyis elegantly written, thought provoking, and deserves to be widely read." --The Journal of American History "This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky "Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
"Excellent monograph...Making Slavery Historyis elegantly written, thought provoking, and deserves to be widely read." --The Journal of American History "This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky "Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
InMaking Slavery History, Margot Minardi analyzes how perceptions of events, and those who participate in them, change and how such changes reflect and affect action. She is the first to center on this phenomenon as a means of understanding how, between the American Revolution and the Civil War, people in Massachusetts understood slavery and abolition, African American character, and the antislavery struggle." --The Historian "[A] smart, creative, and provocative account...Making Slavery Historyrepresents one of those rare books that can be savored in part and devoured in whole...Minardi's narrative masters the art of using small stories to tell large tales. She not only reveals who makes history and how history gets made, she reminds readers why the stories the living choose to tell about the dead really matter at all." --The New England Quarterly "Minardi s book is a passionate and much-needed reminder both of 'the power of memory to move us, hopefully and purposefully, through a broken and tumultuous world,' as well as the power of memory to sharpen resistance to change and hinder some futures." --Civil War Book Review "Excellent monograph...Making Slavery Historyis elegantly written, thought provoking, and deserves to be widely read." --The Journal of American History "This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky "Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
"Minardi s book is a passionate and much-needed reminder both of 'the power of memory to move us, hopefully and purposefully, through a broken and tumultuous world,' as well as the power of memory to sharpen resistance to change and hinder some futures." --Civil War Book Review "Excellent monograph...Making Slavery Historyis elegantly written, thought provoking, and deserves to be widely read." --The Journal of American History "This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky "Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
"This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky "Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
"This is a graceful, elegant book that is also very, very smart. Minardi's subject is history itself and its uses in constructing identity-the chronicling, justifying, memorializing, and explaining of slavery and the Revolutionary-era ending of slavery in Massachusetts. She elaborates, fine-tunes, and textures the 'constructed amnesia' argument about the history of slavery in New England in important ways, demonstrating just how this was in fact a history constructed of both presence and absence. In style and imagination, this manuscript powerfully evokes Jill Lepore's The Name of War, and in skillful reading of material objects as well as texts, Laurel Thatcher Ulrich's The Age of Homespun."--Joanne Pope Melish, University of Kentucky"Margot Minardi takes memory studies back to history, and the results are consistently illuminating. A careful, well written, valuable addition to antislavery, New England, and African American history."--David Waldstreicher, Temple University
To find out how to look for other reviews, please see our guides to finding book reviews in the Sciences or Social Sciences and Humanities.
Summaries
Bowker Data Service Summary
This text focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the 19th century.
Long Description
Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historical actors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book argues that local abolitionists, both black and white, drew on their state's Revolutionaryheritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship of free people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they idealized black historical agency.Although it is often claimed that slavery in New England is a history long concealed, Making Slavery History finds it hidden in plain sight. From memories of Phillis Wheatley and Crispus Attucks to representations of black men at the Battle of Bunker Hill, evidence of the local history of slavery cropped up repeatedly in early national Massachusetts. In fixing attention on these seemingly marginal presences, this book contends that slavery was unavoidably entangled in the commemorative cultureof the early republic-even in a place that touted itself as the "cradle of liberty."Transcending the particular contexts of Massachusetts and the early American republic, this book is centrally concerned with the relationship between two ways of making history, through social and political transformation on the one hand and through commemoration, narration, and representation on the other. Making Slavery History examines the relationships between memory and social change, between histories of slavery and dreams of freedom, and between the stories we tell ourselves about who wehave been and the possibilities we perceive for who we might become.
Main Description
Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historicalactors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book argues that local abolitionists, both black and white, drew on their state's Revolutionary heritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship offree people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they idealized black historical agency.Although it is often claimed that slavery in New England is a history long concealed, Making Slavery History finds it hidden in plain sight. From memories of Phillis Wheatley and Crispus Attucks to representations of black men at the Battle of Bunker Hill, evidence of the local history of slaverycropped up repeatedly in early national Massachusetts. In fixing attention on these seemingly marginal presences, this book contends that slavery was unavoidably entangled in the commemorative culture of the early republic-even in a place that touted itself as the "cradle of liberty."Transcending the particular contexts of Massachusetts and the early American republic, this book is centrally concerned with the relationship between two ways of making history, through social and political transformation on the one hand and through commemoration, narration, and representation onthe other. Making Slavery History examines the relationships between memory and social change, between histories of slavery and dreams of freedom, and between the stories we tell ourselves about who we have been and the possibilities we perceive for who we might become.
Main Description
Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historical actors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book shows how local abolitionists, both black and white, drew on their state's Revolutionary heritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship of free people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they idealized black historical agency. Although it is often claimed that slavery in New England is a history long concealed, Making Slavery History finds it hidden in plain sight. From memories of Phillis Wheatley and Crispus Attucks to representations of black men at the Battle of Bunker Hill, evidence of the local history of slavery cropped up repeatedly in early national Massachusetts. In fixing attention on these seemingly marginal presences, this book demonstrates that slavery was unavoidably entangled in the commemorative culture of the early republic-even in a place that touted itself as the "cradle of liberty." Transcending the particular contexts of Massachusetts and the early American republic, this book is centrally concerned with the relationship between two ways of making history, through social and political transformation on the one hand and through commemoration, narration, and representation on the other. Making Slavery History examines the relationships between memory and social change, between histories of slavery and dreams of freedom, and between the stories we tell ourselves about who we have been and the possibilities we perceive for who we might become.

This information is provided by a service that aggregates data from review sources and other sources that are often consulted by libraries, and readers. The University does not edit this information and merely includes it as a convenience for users. It does not warrant that reviews are accurate. As with any review users should approach reviews critically and where deemed necessary should consult multiple review sources. Any concerns or questions about particular reviews should be directed to the reviewer and/or publisher.

  link to old catalogue

Report a problem