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Certainty /
Madeleine Thien.
imprint
Toronto : Emblem Editions, McClelland & Stewart, 2007, c2006.
description
311 pages.
ISBN
9780771085291
format(s)
Book
Holdings
More Details
imprint
Toronto : Emblem Editions, McClelland & Stewart, 2007, c2006.
isbn
9780771085291
catalogue key
6111830
 
Includes bibliographical references.
A Look Inside
Awards
This item was nominated for the following awards:
Kiriyama Prize, USA, 2007 : Nominated
Excerpts
Excerpt from Book
In what was to have been the future, Ansel rolled towards her, half awake, half forgetful. He curved his body around hers and Gail's warmth drew him back into sleep. Morning passed into afternoon, the rest of the world waited outside, but he and Gail were just rising from bed, they were fumbling into their clothes, they knew that the day was long. Some of her work, the tapes and reel-to-reel, are in the house. Some in the attic of her parents' house, and some in her former office. When Ansel listens to them, the finished and the unfinished work, the quality of the recording is fine, as if Gail is in the room herself, her voice preserved on a quarter-inch strip of tape. There is a sunroom at the front of the house where Ansel drinks his coffee. Across the street, their neighbour is crouched on the ground, snipping the grass with a pair of scissors. Because of the noise, she says. A lawnmower makes far too much noise. She is in her mid-sixties and the wide brim of a sun hat shades her face. Gail, who had grown up in a house a block away, once told Ansel that she remembered this same woman snipping the grass when Gail herself was a child. "All the kids would come with their plastic scissors and help her out. It was a kind of neighbourhood haircut." Every now and then, Mrs. Cho stands up and massages her lower back. She looks over at Ansel seated alone in the window, lifts her hand to him in greeting. The coffee is warm and sweet. He closes his eyes and drinks it, and when he opens his eyes again, Gail is still there, a presence in the room, the undercurrent of his thoughts. It is almost seven o'clock. The sun is up, and it pours a warm, golden light across the houses. Last night, he couldn't sleep, and this morning his body feels hollow, a loose string that folds naturally over itself. On the table in front of him, a sheaf of papers: Gail's radiology report, her ekg chart, the pages creased from too much handling. Outside, the branches of the sakura tree flutter in the wind. The tree blooms in March, and by April the blossoms are so heavy all the branches are weighted down. By May, the yard is a snowbank of petals. Ansel and Gail bought this house ten years ago, in the early-1990s. He had just finished his residency, and Gail was working as a radio producer, making features and documentaries. The house is in Strathcona, the oldest neighbourhood in Vancouver. Even now, the Hastings Mill cabins, where workers lived a century ago, still stand. Past the bustle of Chinatown, the downtown core floats like a picture hung against the North Shore mountains. East, and the mills are visible, Ballentyne Pier, with its brightly coloured stacks of containers, and the tall freight elevators. Theirs is a restored Queen Anne, gabled windows on the top floors. A solid, unremarkable house. On windy days, he imagines he can feel the wooden beams of the house swaying. Previous homes together had been small apartments in basements or attics, the two of them tucked in amongst their belongings. Now there are books and records and an old piano. Gail's hand-carved Indonesian box. Ansel's antique microscope; once, they had spent the afternoon looking at odds and ends. He remembers an onion skin, elegant in its simplicity, the cells stacked together like brickwork. There is the understanding that she is no longer here, that it was sudden and irrevocable, but this understanding is one moment spread over a thousand hours, a continuous thought that tries to forget itself. And then, when that fails, to bargain, to change everything, to fall asleep and go back to another point in time. "Time," Gail had said once, as he fell asleep in her arms, "is the only thing we need." At Strat
First Chapter
In what was to have been the future, Ansel rolled towards her, half awake, half forgetful. He curved his body around hers and Gail’s warmth drew him back into sleep. Morning passed into afternoon, the rest of the world waited outside, but he and Gail were just rising from bed, they were fumbling into their clothes, they knew that the day was long.

Some of her work, the tapes and reel-­to-­reel, are in the house. Some in the attic of her parents’ house, and some in her former office. When Ansel listens to them, the finished and the unfinished work, the quality of the recording is fine, as if Gail is in the room herself, her voice preserved on a quarter-­inch strip of tape.

There is a sunroom at the front of the house where Ansel drinks his coffee. Across the street, their neighbour is crouched on the ground, snipping the grass with a pair of scissors. Because of the noise, she says. A lawnmower makes far too much noise. She is in her mid-­sixties and the wide brim of a sun hat shades her face. Gail, who had grown up in a house a block away, once told Ansel that she remembered this same woman snipping the grass when Gail her­self was a child. “All the kids would come with their plastic scissors and help her out. It was a kind of neighbourhood hair­cut.” Every now and then, Mrs. Cho stands up and massages her lower back. She looks over at Ansel seated alone in the window, lifts her hand to him in greeting.

The coffee is warm and sweet. He closes his eyes and drinks it, and when he opens his eyes again, Gail is still there, a presence in the room, the undercurrent of his thoughts.

It is almost seven o’clock. The sun is up, and it pours a warm, golden light across the houses. Last night, he ­couldn’t sleep, and this morning his body feels hollow, a loose string that folds naturally over itself. On the table in front of him, a sheaf of papers: Gail’s radiology report, her ekg chart, the pages creased from too much handling. Outside, the branches of the sakura tree flutter in the wind. The tree blooms in March, and by April the blossoms are so heavy all the branches are weighted down. By May, the yard is a snowbank of petals.


Ansel and Gail bought this house ten years ago, in the early-­1990s. He had just finished his residency, and Gail was working as a radio producer, making features and documentaries. The house is in Strathcona, the oldest neighbourhood in Vancouver. Even now, the Hastings Mill cabins, where workers lived a century ago, still stand. Past the bustle of Chinatown, the downtown core floats like a picture hung against the North Shore mountains. East, and the mills are visible, Ballentyne Pier, with its brightly coloured stacks of containers, and the tall freight elevators.

Theirs is a restored Queen Anne, gabled windows on the top floors. A solid, unremarkable house. On windy days, he imagines he can feel the wooden beams of the house swaying.

Previous homes together had been small apartments in basements or attics, the two of them tucked in amongst their belongings. Now there are books and records and an old piano. Gail’s hand-­carved Indonesian box. Ansel’s antique microscope; once, they had spent the afternoon looking at odds and ends. He remembers an onion skin, elegant in its simplicity, the cells stacked together like brickwork.

There is the understanding that she is no longer here, that it was sudden and irrevocable, but this understanding is one moment spread over a thousand hours, a continuous thought that tries to forget itself. And then, when that fails, to bargain, to change everything, to fall asleep and go back to another point in time. “Time,” Gail had said once, as he fell asleep in her arms, “is the only thing we need.”

At Strathcona Elementary School, the Sunday morning tai chi class is already in motion. He can see them through the fence as he walks, grandparents in neon track suits, moving across the pavement in an ensemble, a fluid echo of cause and effect. Bird plucking a leaf from the tree. Hands separating heaven from earth. Gail had listed these off for him. Epic names for the smallest gestures. Together, they step purposefully across the chalk lines for hopscotch and four-­square.

Ansel buys his breakfast at the New Town Bakery, where a woman wearing a blank name tag gives him a paper bag filled with warm bread. He continues through Chinatown, past the tanks of melancholy fish. Vegetables spill out from the markets, and the street lamps, recently painted a festive red, glow in the early morning.

After the service, the flowers had followed her across the city, from Hastings Street to 49th Avenue. The houses giving way to Central Park, giving way to the burial grounds. The workers arranged the tall flower stands in concentric circles around her grave, making a perfumed forest. He walked into it and in the centre he found her. Each night the rain knocked them down, the wind scattered the petals across the cemetery, and every day he set them up again. One afternoon, he arrived in the middle of a storm. He raised the flowers up onto their stands, and they collapsed on top of him. He hugged them to his body and lifted them up once more.

Half a year has gone by since then, but this morning, when he walks along the pebbled road beside False Creek, his thoughts return to that small plot of land and the flowers he laid there yesterday. His friend Ed Carney once spent an entire morning giving Ansel his thoughts on passing time. Time’s arrow pointing in both directions, the past flying into view as you stumble backwards into the future, Walter Benjamin’s angel of history. Ed had mused about scientists who experimented with their circadian rhythms, re-­establishing themselves on a twenty-­six-­hour clock. “Mostly they had the police after them, wondering what trouble they were up to.” The conversation had ended there. Ed had gone back to mowing his lawn, and Ansel had continued walking.

Now he sits on the dock at the creek, the moored boats swaying with the current, and he eats his breakfast. Sunday morning and the city is still sleeping, but she is there beside him, running her feet through the water. That is another timeline, the morning of Gail’s last birthday, fall and not summer. Their last conversation was a telephone call, long distance. His memories struggle to stay afloat, time moves forward, and Ansel feels the divide in his body. One part of him carrying on, living moment to moment, the other part lost to him on the day she died.


From the Hardcover edition.
Reviews
Review Quotes
Now in paperback National bestseller "Intricate and elegiac. . . . Written in powerful and uncluttered prose that cuts to the heart of grief." Ottawa Citizen "A moving, richly textured and immaculately nuanced study of war, grief, displacement, love, renewal." Montreal Review of Books "Thien's clear-eyed, austere writing is a thing of simple beauty. . . . A wise and thoughtful debut." Winnipeg Free Press "Certaintyis poised to become an inter-national literary bestseller and . . . the most popular Canadian novel since Miriam Toews'sA Complicated Kindness. . . as well known asThe English Patient. . . . If all that happens, it's ever so well deserved." Globe and Mail "I am astonished by the clarity and ease of the writing, and a kind of emotional purity." Alice Munro "The austere grace and polished assurance of her prose [is] remarkable." New York Times Book Review "Thien weaves dark magic." Elle
Now in paperback National bestseller "Intricate and elegiac. . . . Written in powerful and uncluttered prose that cuts to the heart of grief." Ottawa Citizen "A moving, richly textured and immaculately nuanced study of war, grief, displacement, love, renewal." Montreal Review of Books "Thien's clear-eyed, austere writing is a thing of simple beauty. . . . A wise and thoughtful debut." Winnipeg Free Press " Certainty is poised to become an inter-national literary bestseller and . . . the most popular Canadian novel since Miriam Toews's A Complicated Kindness . . . as well known as The English Patient. . . . If all that happens, it's ever so well deserved." Globe and Mail "I am astonished by the clarity and ease of the writing, and a kind of emotional purity." Alice Munro "The austere grace and polished assurance of her prose [is] remarkable." New York Times Book Review "Thien weaves dark magic." Elle
To find out how to look for other reviews, please see our guides to finding book reviews in the Sciences or Social Sciences and Humanities.
Summaries
Main Description
Madeleine Thien's stunning debut novel fulfills all her early promise and introduces a young novelist of vision, maturity, and style. Gail Lim, a producer of radio documentaries in present-day Vancouver, finds herself haunted by events in her parents' past in wartorn Asia, a past which remains a mystery that fiercely grips her imagination. As a child, Gail's father, Matthew Lim, wandered the Leila Road and the jungle fringe with his lovely Ani, a girl whose early bond with Matthew will affect his life always. As children, they found themselves together under the terrifying shadow of war in Japanese-occupied Sandakan, Malaysia. The war shatters their families and splits the two apart until years later, when they remeet only to be separated again. The legacy of their connection is later inherited by Matthew's wife, Clara, in unexpected ways. Gail's journey to unravel the mystery of her parents' lives takes her to Amsterdam, where she meets the war photographer Sipke, who tells his story of Ani and their relationship, which began in Jakarta, a story that will bring Gail face to face with the complications in her own life and lead her closer to the truth. Vivid, poignant, wise, at once sweeping and intimate, Certainty is a novel about the legacies of loss, about the dislocations of war and the redemptive qualities of love. Thien reveals herself as a novelist of rare and potent talent.
Main Description
Madeleine Thien's stunning debut novel fulfills all her early promise and introduces a young novelist of vision, maturity, and style. Gail Lim, a producer of radio documentaries in present-day Vancouver, finds herself haunted by events in her parents' past in wartorn Asia, a past which remains a mystery that fiercely grips her imagination. As a child, Gail's father, Matthew Lim, wandered the Leila Road and the jungle fringe with his lovely Ani, a girl whose early bond with Matthew will affect his life always. As children, they found themselves together under the terrifying shadow of war in Japanese-occupied Sandakan, Malaysia. The war shatters their families and splits the two apart until years later, when they remeet only to be separated again. The legacy of their connection is later inherited by Matthew's wife, Clara, in unexpected ways. Gail's journey to unravel the mystery of her parents' lives takes her to Amsterdam, where she meets the war photographer Sipke, who tells his story of Ani and their relationship, which began in Jakarta, a story that will bring Gail face to face with the complications in her own life and lead her closer to the truth. Vivid, poignant, wise, at once sweeping and intimate, Certainty is a novel about the legacies of loss, about the dislocations of war and the redemptive qualities of love. Thien reveals herself as a novelist of rare and potent talent. From the Hardcover edition.
Table of Contents
In what was to have been the future, Ansel rolled towards her, half awake, half forgetful. He curved his body around hers and Gail's warmth drew him back into sleep. Morning passed into afternoon, the rest of the world waited outside, but he and Gail were just rising from bed, they were fumbling into their clothes, they knew that the day was long.
Some of her work, the tapes and reel-¡to-¡reel, are in the house. Some in the attic of her parents' house, and some in her former office. When Ansel listens to them, the finished and the unfinished work, the quality of the recording is fine, as if Gail is in the room herself, her voice preserved on a quarter-¡inch strip of tape.
There is a sunroom at the front of the house where Ansel drinks his coffee. Across the street, their neighbour is crouched on the ground, snipping the grass with a pair of scissors. Because of the noise, she says. A lawnmower makes far too much noise. She is in her mid-¡sixties and the wide brim of a sun hat shades her face. Gail, who had grown up in a house a block away, once told Ansel that she remembered this same woman snipping the grass when Gail her¡self was a child. "All the kids would come with their plastic scissors and help her out. It was a kind of neighbourhood hair¡cut." Every now and then, Mrs. Cho stands up and massages her lower back. She looks over at Ansel seated alone in the window, lifts her hand to him in greeting.
The coffee is warm and sweet. He closes his eyes and drinks it, and when he opens his eyes again, Gail is still there, a presence in the room, the undercurrent of his thoughts.
It is almost seven o'clock. The sun is up, and it pours a warm, golden light across the houses. Last night, he ¡couldn't sleep, and this morning his body feels hollow, a loose string that folds naturally over itself. On the table in front of him, a sheaf of papers: Gail's radiology report, her ekg chart, the pages creased from too much handling. Outside, the branches of the sakura tree flutter in the wind. The tree blooms in March, and by April the blossoms are so heavy all the branches are weighted down. By May, the yard is a snowbank of petals.
Ansel and Gail bought this house ten years ago, in the early-¡1990s. He had just finished his residency, and Gail was working as a radio producer, making features and documentaries. The house is in Strathcona, the oldest neighbourhood in Vancouver. Even now, the Hastings Mill cabins, where workers lived a century ago, still stand. Past the bustle of Chinatown, the downtown core floats like a picture hung against the North Shore mountains. East, and the mills are visible, Ballentyne Pier, with its brightly coloured stacks of containers, and the tall freight elevators.
Theirs is a restored Queen Anne, gabled windows on the top floors. A solid, unremarkable house. On windy days, he imagines he can feel the wooden beams of the house swaying.
Previous homes together had been small apartments in basements or attics, the two of them tucked in amongst their belongings. Now there are books and records and an old piano. Gail's hand-¡carved Indonesian box. Ansel's antique microscope; once, they had spent the afternoon looking at odds and ends. He remembers an onion skin, elegant in its simplicity, the cells stacked together like brickwork.
There is the understanding that she is no longer here, that it was sudden and irrevocable, but this understanding is one moment spread over a thousand hours, a continuous thought that tries to forget itself. And then, when that fails, to bargain, to change everything, to fall asleep and go back to another point in time. "Time," Gail had said once, as he fell asleep in her arms, "is the only thing we need." At Strathcona Elementary School, the Sunday morning tai chi class is already in motion. He can see them through the fence as he walks, grandparents in neon track suits, moving across the pavement in an ensemble, a fluid echo of cause and effect. Bird plucking a leaf from the tree. Hands separating heaven from earth. Gail had listed these off for him. Epic names for the smallest gestures. Together, they step purposefully across the chalk lines for hopscotch and four-¡square.
Ansel buys his breakfast at the New Town Bakery, where a woman wearing a blank name tag gives him a paper bag filled with warm bread. He continues through Chinatown, past the tanks of melancholy fish. Vegetables spill out from the markets, and the street lamps, recently painted a festive red, glow in the early morning.
After the service, the flowers had followed her across the city, from Hastings Street to 49th Avenue. The houses giving way to Central Park, giving way to the burial grounds. The workers arranged the tall flower stands in concentric circles around her grave, making a perfumed forest. He walked into it and in the centre he found her. Each night the rain knocked them down, the wind scattered the petals across the cemetery, and every day he set them up again. One afternoon, he arrived in the middle of a storm. He raised the flowers up onto their stands, and they collapsed on top of him. He hugged them to his body and lifted them up once more.
Half a year has gone by since then, but this morning, when he walks along the pebbled road beside False Creek, his thoughts return to that small plot of land and the flowers he laid there yesterday. His friend Ed Carney once spent an entire morning giving Ansel his thoughts on passing time. Time's arrow pointing in both directions, the past flying into view as you stumble backwards into the future, Walter Benjamin's angel of history. Ed had mused about scientists who experimented with their circadian rhythms, re-¡establishing themselves on a twenty-¡six-¡hour clock. "Mostly they had the police after them, wondering what trouble they were up to." The conversation had ended there. Ed had gone back to mowing his lawn, and Ansel had continued walking.
Now he sits on the dock at the creek, the moored boats swaying with the current, and he eats his breakfast. Sunday morning and the city is still sleeping, but she is there beside him, running her feet through the water. That is another timeline, the morning of Gail's last birthday, fall and not summer. Their last conversation was a telephone call, long distance. His memories struggle to stay afloat, time moves forward, and Ansel feels the divide in his body. One part of him carrying on, living moment to moment, the other part lost to him on the day she died.
From the Hardcover edition.
Table of Contents provided by Publisher. All Rights Reserved.

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