German literature of the eighteenth century : the enlightenment and sensibility /
edited by Barbara Becker-Cantarino.
Rochester, N.Y. : Camden House, 2005.
x, 349 p. : ill. ; 24 cm.
1571132465 (hardcover : alk. paper)
More Details
Rochester, N.Y. : Camden House, 2005.
1571132465 (hardcover : alk. paper)
catalogue key
Includes bibliographical references (p. [309]-328) and index.
A Look Inside
Full Text Reviews
Appeared in Choice on 2005-05-01:
In her erudite, perceptive introduction to this volume, Becker-Cantarino (Ohio State Univ.) reviews the scope of German literature in the 18th century and defines both "Enlightenment" and "sensibility." Eleven contributions (three translated into English by the editor) by an international cast of male and female scholars follow. Noteworthy features of the book include its numerous references to women writers and the role of women in the literary culture of the time; chapters on music and literature and on the literary scene in Austria and Switzerland; and a concluding chapter on critics of the Enlightenment from the 18th century to the present. All German titles and quotations are translated--a boon to those without German. Chapter notes and bibliography supplement the 17-page concluding bibliography of primary and secondary literature, which is comprehensive but for the regrettable omission of Johann Gottfried Herder. This and some minor typographical errors aside, this is a splendid volume that in every respect meets the expectations of the series in which it is published. ^BSumming Up: Highly recommended. Lower-division undergraduates through faculty; general readers. J. K. Fugate Kalamazoo College
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Choice, May 2005
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Unpaid Annotation
New essays tracing the 18th-century literary revival in German-speaking lands and the cultural developments that accompanied it.
Main Description
The Enlightenment was based on the use of reason, common sense, and "natural law," and was paralleled by an emphasis on feelings and the emotions in religious, especially Pietist circles. Progressive thinkers in England, France, and later in Germany began to assail the absolutism of the state and the orthodoxy of the Church; in Germany the line led from Leibniz, Thomasius, and Wolff to Lessing and Kant, and eventually to the rise of an educated upper middle class. Literary developments encompassed the emergence of a national theater, literature, and a common literary language. This became possible in part because of advances in literacy and education, especially among bourgeois women, and the reorganization of book production and the book market. This major new reference work provides a fresh look at the major literary figures, works, and cultural developments from around 1700 up to the late Enlightenment. They trace the 18th-century literary revival in German-speaking countries: from occasional and learned literature under the influence of French Neoclassicism to the establishment of a new German drama, religious epic and secular poetry, and the sentimentalist novel of self-fashioning. The volume includes the new, stimulating works of women, a chapter on music and literature, chapters on literary developments in Switzerland and in Austria, and a chapter on reactions to the Enlightenment from the 19th century to the present. The recent revaluing of cultural and social phenomena affecting literary texts informs the presentations in the individual chapters and allows for the inclusion of hitherto neglected but important texts such as essays, travelogues, philosophical texts, and letters. Contributors: Kai Hammermeister, Katherine Goodman, Helga Brandes, Rosmarie Zeller, Kevin Hilliard, Francis Lamport, Sarah Colvin, Anna Richards, Franz M. Eybl, W. Daniel Wilson, Robert Holub.Barbara Becker-Cantarino is Research Professor in German at the Ohio State University.

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