Catalogue

COVID-19: Updates on library services and operations.

The Mrs. Dalloway reader /
Virginia Woolf et al. ; edited by Francine Prose ; with a foreword by Mark Hussey.
edition
1st Harvest ed.
imprint
Orlando : Harcourt, Inc., 2004.
description
ix, 378 p. : map.
ISBN
0156030152
format(s)
Book
Holdings
More Details
series title
series title
imprint
Orlando : Harcourt, Inc., 2004.
isbn
0156030152
contents note
Foreword / Mark Hussey -- Introduction / Francine Prose -- An introduction to Mrs. Dalloway / Virginia Woolf -- Mrs. Dalloway's party / Virginia Woolf -- Selected short stories / Virginia Woolf -- Selected entries from the diary of Virginia Woolf -- A letter from Virginia Woolf -- The Garden-Party / Katherine Mansfield -- Unreal loyalties / Margo Jefferson -- Virginia Woolf's forgetful selves / James Wood -- Bodies of knowledge / Mary Gordon -- Invigorating life / Elaine Showalter -- First love / Michael Cunningham -- The early novels of Virginia Woolf / E.M. Forster -- Not afraid of Virginia Woolf / Daniel Mendelsohn -- On rereading Mrs. Dalloway / Sigrid Nunez -- On Mrs. Dalloway / Deborah Eisenberg -- That sort of woman / Elissa Schappell -- Mrs. Dalloway / Virginia Woolf.
general note
Not in Kirkpatrick 4th ed.
Stiff white paper wrappers printed in tan, black and red with multicoloured illustration on front.
catalogue key
5248217
A Look Inside
About the Author
Author Affiliation
Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels and short stories, she was an admired literary critic and a master of the essay form. Mrs. Dalloway was first published in 1925
Excerpts
Excerpt from Book
An Introduction to Mrs. Dalloway IT IS DIFFICULT-PERHAPS IMPOSSIBLE-FOR A WRITER TO SAY anything about his own work. All he has to say has been said as fully and as well as he can in the body of the book itself. If he has failed to make his meaning clear there it is scarcely likely that he will succeed in some pages of preface or postscript. And the author's mind has another peculiarity which is also hostile to introductions. It is as inhospitable to its offspring as the hen sparrow is to hers. Once the young birds can fly, fly they must; and by the time they have fluttered out of the nest the mother bird has begun to think perhaps of another brood. In the same way once a book is printed and published it ceases to be the property of the auth∨ he commits it to the care of other peop≤ all his attention is claimed by some new book which not only thrusts its predecessor from the next but has a way of subtly blackening its character in comparison with its own. It is true that the author can if he wishes tell us something about himself and his life which is not in the novel; and to this effort we should do all that we can to encourage him. For nothing is more fascinating than to be shown the truth which lies behind those immense faÇades of fiction-if life is indeed true, and if fiction is indeed fictitious. And probably the connection between the two is highly complicated. Books are the flowers or fruit stuck here and there on a tree which has its roots deep down in the earth of our earliest life, of our first experiences. But here again to tell the reader anything that his own imagination and insight have not already discovered would need not a page or two of preface but a volume or two of autobiography. Slowly and cautiously one would have to go to work, uncovering, laying bare, and even so when everything had been brought to the surface, it would still be for the reader to decide what was relevant and what not. Of Mrs. Dalloway then one can only bring to light at the moment a few scraps, of little importance or none perhaps; as that in the first version Septimus, who later is intended to be her double, had no existence; and that Mrs. Dalloway was originally to kill herself, or perhaps merely to die at the end of the party. Such scraps are offered humbly to the reader in the hope that like other odds and ends they may come in useful. But if one has too much respect for the reader pure and simple to point out to him what he has missed, or to suggest to him what he should seek, one may speak more explicitly to the reader who has put off his innocence and become a critic. For though criticism, whether praise or blame, should be accepted in silence as the legitimate comment which the act of publication invites, now and again a statement is made without bearing on the book's merits or demerits which the writer happens to know to be mistaken. One such statement has been made sufficiently often about Mrs. Dalloway to be worth perhaps a word of contradiction. The book, it was said, was the deliberate offspring of a method. The author, it was said, dissatisfied with the form of fiction then in vogue, was determined to beg, borrow, steal or even create another of her own. But, as far as it is possible to be honest about the mysterious process of the mind, the facts are otherwise. Dissatisfied the writer may have been; but her dissatisfaction was primarily with nature for giving an idea, without providing a house for it to live in. The novelists of preceding generation had done little-after all why should they?-to help. The novel was the obvious lodging, but the novel it seemed was built on the wrong plan. Thus rebuked the idea started as the oyster starts or the snail to secrete a house for itself. And this it did without any conscious direction. The little note-book in which an attempt was made to forecast a plan was soon abandoned, and the book grew day by day, week by week, without any plan at all,
First Chapter
An Introduction to Mrs. DallowayIT IS DIFFICULT-PERHAPS IMPOSSIBLE-FOR A WRITER TO SAY anything about his own work. All he has to say has been said as fully and as well as he can in the body of the book itself. If he has failed to make his meaning clear there it is scarcely likely that he will succeed in some pages of preface or postscript. And the author's mind has another peculiarity which is also hostile to introductions. It is as inhospitable to its offspring as the hen sparrow is to hers. Once the young birds can fly, fly they must; and by the time they have fluttered out of the nest the mother bird has begun to think perhaps of another brood. In the same way once a book is printed and published it ceases to be the property of the author; he commits it to the care of other people; all his attention is claimed by some new book which not only thrusts its predecessor from the next but has a way of subtly blackening its character in comparison with its own.It is true that the author can if he wishes tell us something about himself and his life which is not in the novel; and to this effort we should do all that we can to encourage him. For nothing is more fascinating than to be shown the truth which lies behind those immense faades of fiction-if life is indeed true, and if fiction is indeed fictitious. And probably the connection between the two is highly complicated. Books are the flowers or fruit stuck here and there on a tree which has its roots deep down in the earth of our earliest life, of our first experiences. But here again to tell the reader anything that his own imagination and insight have not already discovered would need not a page or two of preface but a volume or two of autobiography. Slowly and cautiously one would have to go to work, uncovering, laying bare, and even so when everything had been brought to the surface, it would still be for the reader to decide what was relevant and what not. Of Mrs. Dalloway then one can only bring to light at the moment a few scraps, of little importance or none perhaps; as that in the first version Septimus, who later is intended to be her double, had no existence; and that Mrs. Dalloway was originally to kill herself, or perhaps merely to die at the end of the party. Such scraps are offered humbly to the reader in the hope that like other odds and ends they may come in useful.But if one has too much respect for the reader pure and simple to point out to him what he has missed, or to suggest to him what he should seek, one may speak more explicitly to the reader who has put off his innocence and become a critic. For though criticism, whether praise or blame, should be accepted in silence as the legitimate comment which the act of publication invites, now and again a statement is made without bearing on the book's merits or demerits which the writer happens to know to be mistaken. One such statement has been made sufficiently often about Mrs. Dalloway to be worth perhaps a word of contrad
Reviews
Review Quotes
To find out how to look for other reviews, please see our guides to finding book reviews in the Sciences or Social Sciences and Humanities.
Summaries
Back Cover Copy
"Mrs. Dalloway has branched into a book; and I adumbrate here a study of insanity and suicide: the world seen by the sane and the insane side by side--something like that. Septimus Smith?--is that a good name?--and to be more close to the fact than Jacob: but I think Jacob was a necessary step, for me, in working free. And now I must use this benignant page for making out a scheme of work." -- from The Diary of Virginia Woolf Virginia Woolf's most intimate letters, journals, and essays surrounding the writing and publication of Mrs. Dalloway, including the novel itself and the companion book, Mrs. Dalloway's Party. Also included are essays by conteporary writers who have found inspiration in the work of Virginia Woolf. Now with a foreword and critical commentary by Woolf scholar Mark Hussey. Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form. Mrs. Dalloway was first published in 1925.
Back Cover Copy
This unique collection brings together correspondence, journals, and sketches by Virginia Woolf surrounding the writing and publishing of her great novel Mrs. Dalloway, in addition to the novel itself and several related short stories. Also included are essays by contemporary writers who have found inspiration in the work of Virginia Woolf. Noted Woolf scholar Mark Hussey has contributed a foreword and explanatory notes.
Main Description
This first volume of its kind contains the complete text of and guide to Virginia Woolf's masterpiece, plus Mrs. Dalloway's Party and numerous journal entries and letters by Virginia Woolf relating to the book's genesis and writing. The distinguished novelist Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. Now with additional scholarly commentary by Mark Hussey, professor of English at Pace University, this complete volume illuminates the creation of a celebrated story and the genius of its author. Includes essays and commentary from: Michael Cunningham E. M. Forster Margo Jefferson James Wood Mary Gordon Elaine Showalter Daniel Mendelsohn Sigrid Nunez Deborah Eisenberg Elissa Schappell
Main Description
This first volume of its kind contains the complete text of and guide to Virginia Woolf's masterpiece, plus Mrs. Dalloway's Party and numerous journal entries and letters by Virginia Woolf relating to the book's genesis and writing. The distinguished novelist Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. Now with additional scholarly commentary by Mark Hussey, professor of English at Pace University, this complete volume illuminates the creation of a celebrated story and the genius of its author.Includes essays and commentary from: Michael CunninghamE. M. ForsterMargo JeffersonJames WoodMary GordonElaine ShowalterDaniel MendelsohnSigrid NunezDeborah EisenbergElissa Schappell
Unpaid Annotation
The publication of Mrs. Dalloway in 1925 secured Virginia Woolf's place as a master of the modern literary form, and inspired generations of writers to come. This unique collection includes the complete text of Mrs. Dalloway and Mrs. Dalloway's Party, and also various journal entries and letters by Virginia Woolf relating to the genesis and writing of her masterpiece. Editor Francine Prose has selected these pieces as well as essays and appreciations, critical views and commentary by writers famous and unknown, all about Mrs. Dalloway. While Mrs. Dalloway remains Woolf's classic work, the lesser-known companion book, Mrs. Dalloway's Party is a kind of writer's notebook, containing many outtakes from Woolf's initial attempt to write Mrs. Dalloway. This complete volume illuminates the creation of a beloved book and the genius of its author.
Table of Contents
Forewordp. vii
Introductionp. 1
An Introduction to Mrs. Dallowayp. 10
Mrs. Dalloway's Partyp. 13
Selected Short Storiesp. 63
Selected Entries from the Diary of Virginia Woolfp. 89
A Letter from Virginia Woolfp. 100
The Garden-Partyp. 102
Unreal Loyaltiesp. 119
Virginia Woolf's Forgetful Selvesp. 123
Bodies of Knowledgep. 127
Invigorating Lifep. 131
First Lovep. 136
The Early Novels of Virginia Woolfp. 138
Not Afraid of Virginia Woolfp. 149
On Rereading Mrs. Dallowayp. 166
On Mrs. Dallowayp. 176
That Sort of Womanp. 183
Mrs. Dallowayp. 193
Contributorsp. 373
Permissions and Acknowledgmentsp. 377
Table of Contents provided by Ingram. All Rights Reserved.

This information is provided by a service that aggregates data from review sources and other sources that are often consulted by libraries, and readers. The University does not edit this information and merely includes it as a convenience for users. It does not warrant that reviews are accurate. As with any review users should approach reviews critically and where deemed necessary should consult multiple review sources. Any concerns or questions about particular reviews should be directed to the reviewer and/or publisher.

  link to old catalogue

Report a problem