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James Joyce and German theory : the Romantic school and all that /
Barbara Laman.
imprint
Madison [N.J.] : Fairleigh Dickinson University Press, c2004.
description
174 p.
ISBN
083864029X (alk. paper)
format(s)
Book
Holdings
More Details
imprint
Madison [N.J.] : Fairleigh Dickinson University Press, c2004.
isbn
083864029X (alk. paper)
catalogue key
5149385
 
Includes bibliographical references and index.
A Look Inside
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This item was reviewed in:
Reference & Research Book News, August 2004
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Summaries
Unpaid Annotation
James Joyce's aesthetic theories, as explicated by Stephen Dedalus in A Portrait of the Artist as a Young Man and in the "Scylla and Charybdis" chapter of Ulysses, have generally been assumed to be grounded in Aristotle and Aquinas. Indeed, Stephen mentions those thinkers especially in Portrait, at the same time as he rejects Romantic notions. This book investigates the extent to which Joyce's theories as well as his practice, beginning with his critical writings and Stephen Hero, are indebted to early German Romanticism. The allusions, affinities, and analogies, as well as differential relationships between the Joycean oeuvre and texts of Johann Wolfgang Goethe, Friedrich Schiller, Friedrich Schlegel, and Novalis are often palpable, sometimes tentative, but clearly present in most of his works, including Finnegans Wake.
Table of Contents
Acknowledgementsp. 7
Conventions Adoptedp. 9
Introductionp. 13
German Romantic Theory and Joyce's Early Worksp. 22
From Stephen Hero to Portrait: The Kunstlerroman Revisitedp. 43
Exiles and Romantic Ironyp. 62
Ulysses and the "Mythic Method"p. 78
A "Picture of Its Age": Hamlet Expositions and Revisionsp. 98
The "Romantical" Wakep. 113
Conclusionp. 136
Notesp. 143
Bibliographyp. 161
Indexp. 168
Table of Contents provided by Rittenhouse. All Rights Reserved.

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