Catalogue


The violence within/the violence without : Wallace Stevens and the emergence of a revolutionary poetics /
Jacqueline Vaught Brogan.
imprint
Athens : University of Georgia Press, c2003.
description
xiii, 200 p. : ill. ; 24 cm.
ISBN
0820325198 (alk. paper)
format(s)
Book
Holdings
More Details
imprint
Athens : University of Georgia Press, c2003.
isbn
0820325198 (alk. paper)
catalogue key
5001850
 
Includes bibliographical references (p. 181-189) and index.
A Look Inside
About the Author
Author Affiliation
Jacqueline Vaught Brogan is a professor of English at the University of Notre Dame.
Reviews
Review Quotes
"Many critics of Stevens talk about the pressure of reality. Jacqueline Brogan has the good sense to ask what reality and the clear, supple, imaginative prose to develop very interesting answers. And, as in her Simile in Wallace Stevens , she makes her case by paying careful and lively attention to how the transformative power of Stevensian language sustains the work of resistance."--Charles Altieri, University of California at Berkeley
"Many critics of Stevens talk about the pressure of reality. Jacqueline Brogan has the good sense to ask what reality and the clear, supple, imaginative prose to develop very interesting answers. And, as in herSimile in Wallace Stevens, she makes her case by paying careful and lively attention to how the transformative power of Stevensian language sustains the work of resistance."--Charles Altieri, University of California at Berkeley
"Jacqueline Brogan provides the best account to date of how Stevens's resistance to the violence of war, in all its forms, led him to espouse ethical forms of feminist aesthetic advocacy. Her book reshapes received versions of Stevens's ideological and genealogical development, presenting a new vision of his late poetry that subsequent scholars, and all students of modern poetry, will want to take into account."--Charles Berger, author ofForms of Farewell: The Late Poetry of Wallace Stevens
"Brogan's book proposes nothing less than a total political revision of Wallace Stevens' commitments. . . . This indeed has all the rumblings of a revolution."--Boston Review
"In writing about Stevens's revolutionary poetics, Jacqueline Brogan succeeds in creating a work that is itself revolutionary. Her book challenges traditional notions about Stevens the poet and Stevens the man. This is a provocative and controversial thesis, and it is certain to generate critical debate for years to come."--John N. Serio, editor, Wallace Stevens Journal
"Brogan's book proposes nothing less than a total political revision of Wallace Stevens' commitments. . . . This indeed has all the rumblings of a revolution."-- Boston Review
"In writing about Stevens's revolutionary poetics, Jacqueline Brogan succeeds in creating a work that is itself revolutionary. Her book challenges traditional notions about Stevens the poet and Stevens the man. This is a provocative and controversial thesis, and it is certain to generate critical debate for years to come."--John N. Serio, editor,Wallace Stevens Journal
"Jacqueline Brogan provides the best account to date of how Stevens's resistance to the violence of war, in all its forms, led him to espouse ethical forms of feminist aesthetic advocacy. Her book reshapes received versions of Stevens's ideological and genealogical development, presenting a new vision of his late poetry that subsequent scholars, and all students of modern poetry, will want to take into account."--Charles Berger, author of Forms of Farewell: The Late Poetry of Wallace Stevens
This item was reviewed in:
Reference & Research Book News, February 2004
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Summaries
Unpaid Annotation
Wallace Stevens (1879-1955), one of the leading poets of the twentieth century, continues to influence a wide range of poets writing today. However, an image persists of Stevens as an aesthete who was politically removed from his times and who also exhibited sexist and racist tendencies. Jacqueline Vaught Brogan offers careful readings from across the Stevens canon to demonstrate that contrary to such enduring earlier assessments, Stevens's work shows poetic and political changes over the years that merge with his growing ethical concerns.Brogan traces Stevens's evolving poetic practices along three major lines that often intersected. She situates the beginnings of Stevens's development within his early resistance to the pressures of "reality" on the imagination, an artistic stand that pitted him against the "objective" poetry exemplified in the work of William Carlos Williams. In the midst of Stevens's career, World War II moved him forward with new poetic responsibilities both to witness thecurrent world and to guide readers into their future. The emergence of an almost feminist vision defines Stevens's third line of development. Finally, Brogan addresses the subject of Stevens and race, not as a developmental stage but as an undercurrent throughout his work.According to Brogan, Stevens not only changed but matured over time. What began as an aesthetic "violence within, " or a girding against such "violence without" as social unrest and war, rapidly evolved during Stevens's middle years into a set of perceptions and practices increasingly responsive to his times.
Main Description
Wallace Stevens (1879-1955), one of the leading poets of the twentieth century, continues to influence a wide range of poets writing today. However, an image persists of Stevens as an aesthete who was politically removed from his times and who also exhibited sexist and racist tendencies. Jacqueline Vaught Brogan offers careful readings from across the Stevens canon to demonstrate that, contrary to such enduring earlier assessments, Stevens's work over the years shows poetic and political changes that merge with his growing ethical concerns. Brogan traces Stevens's evolving poetic practices along three major lines that often intersected. She situates the beginnings of Stevens's development within his early resistance to the pressures of "reality" on the imagination, an artistic stand that pitted him against the "objective" poetry exemplified in the work of William Carlos Williams. Then, in the midst of Stevens's career, World War II moved him forward with new poetic responsibilities both to witness the current world and to guide readers into their future. The emergence of an almost feminist vision defines Stevens's third line of development. Finally, in addition to identifying these developmental stages, Brogan addresses the undercurrent of race throughout Stevens's work. According to Brogan, Stevens not only changed but matured over time. What began as an aesthetic "violence within," or a girding against such "violence without" as social unrest and war, rapidly evolved during Stevens's middle years into a set of perceptions and practices increasingly responsive to his times.
Main Description
Wallace Stevens (1879-1955), one of the leading poets of the twentieth century, continues to influence a wide range of poets writing today. However, an image persists of Stevens as an aesthete who was politically removed from his times and who also exhibited sexist and racist tendencies. Jacqueline Vaught Brogan offers careful readings from across the Stevens canon to demonstrate that, contrary to such enduring earlier assessments, Stevens's work over the years shows poetic and political changes that merge with his growing ethical concerns.Brogan traces Stevens's evolving poetic practices along three major lines that often intersected. She situates the beginnings of Stevens's development within his early resistance to the pressures of "reality" on the imagination, an artistic stand that pitted him against the "objective" poetry exemplified in the work of William Carlos Williams. Then, in the midst of Stevens's career, World War II moved him forward with new poetic responsibilities both to witness the current world and to guide readers into their future. The emergence of an almost feminist vision defines Stevens's third line of development. Finally, in addition to identifying these developmental stages, Brogan addresses the undercurrent of race throughout Stevens's work.According to Brogan, Stevens not only changed but matured over time. What began as an aesthetic "violence within," or a girding against such "violence without" as social unrest and war, rapidly evolved during Stevens's middle years into a set of perceptions and practices increasingly responsive to his times.
Bowker Data Service Summary
Wallace Stevens, one of the leading poets of the 20th century, continues to influence a wide range of poets writing today. Here, Brogan traces Steven's evolving poetic practices along three major lines that often intersected.
Table of Contents
Prefacep. vii
Acknowledgmentsp. xi
List of Abbreviationsp. xiii
Introductionp. 1
Poems against His Climatep. 9
A Critical Misprisionp. 24
Formal Resistancep. 44
The Poet in/under Historyp. 57
A Slow (Re) Turnp. 80
Opening the Fieldp. 96
Planets on the Tablep. 121
More and More Humanp. 141
Notesp. 157
Bibliographyp. 181
Indexp. 191
Table of Contents provided by Ingram. All Rights Reserved.

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