Nuit et brouillard [videorecording] = Night and fog /
une co-production Como Films, Argos Films, Cocinor and Janus Films ; producers, Anatole Dauman, Samy Halfon, Philippe Lifchitz ; text writer, Jean Cayrol ; director, Alain Resnais.
[United States] : Criterion Collection, 2003, c1955.
1 videodisc (31 min.) : sd., b&w ; 4 3/4 in.
More Details
[United States] : Criterion Collection, 2003, c1955.
standard identifier
publisher #
credits note
Directors of photography, Ghislain Cloquet, Sacha Vierny ; narrator, Michel Bouquet ; music, Hanns Eisler ; production designer, Edouard Muszka.
general note
Originally released as a motion picture in 1955.
local note
SCAR copy for course related use only.
Ten years after the liberation of the Nazi concentration camps, this piece documents the abandoned grounds of Auschwitz and Majdanek. One of the first cinematic reflections on the horrors of the Holocaust and contrasts the stillness of the abandoned camps' quiet, empty buildings with haunting wartime footage.
language note
French dialogue, English subtitles.
catalogue key
target audience
MPAA rating: Not rated.
technical details
DVD, Region 1 encoding, Dolby digital mono.
A Look Inside
Full Text Reviews
Appeared in Library Journal on 2004-03-15:
In Holocaust studies, it is difficult to find two films that complement each other as well as Resnais's classic 1955 Night and Fog and the 2002 documentary The Boys of Buchenwald. Night and Fog provides the beginning of the story: the building of the concentration camps, deportations, selection, daily existence, slave labor, torture, starvation, disease, death by "natural" and unnatural means, and the terrifying reality of the camps revealed upon liberation. Disturbing and graphic black-and-white stills and archival footage from the camps contrast sharply with the color images of the now-deserted Auschwitz and Majdanek. The DVD includes the original French soundtrack with English subtitles. The Boys of Buchenwald resumes the chronicle at liberation, via a specific camp, Buchenwald, and a story of hope through the surviving children. Focusing on 460 of the surviving boys, the film documents their postliberation reintegration into society. These boys were sent as displaced persons to France, where they had to learn how to trust and how to live again. Initially viewed as "damaged beyond repair," the boys formed friendships with one another that helped them regain their sense of self and rediscover dreams for the future. Robbie Waisman, Joe Szwarcberg, Nobel Peace Prize winner Elie Wiesel, and others share their feelings, photographs, and film clips of those years after liberation. We also follow a group of surviving boys touring France to visit the homes of their youth and watch as they attend a reunion in Jerusalem. The images in both films may be disturbing to some viewers. Highly recommended for high school, college, and general adult audiences.-Karen A. Plummer, Univ. of Akron Lib. Copyright 2004 Reed Business Information.
This item was reviewed in:
Library Journal, March 2004
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