Catalogue


Prang's Civil War pictures : the complete battle chromos of Louis Prang with the full "descriptive texts" /
edited with an introduction by Harold Holzer.
edition
1st ed.
imprint
New York : Fordham University Press, 2001.
description
xi, 184 p. : ill. (some col.), maps.
ISBN
0823221180 (hc)
format(s)
Book
Holdings
More Details
author
added author
imprint
New York : Fordham University Press, 2001.
isbn
0823221180 (hc)
catalogue key
4599224
 
Includes bibliographical references and index.
A Look Inside
Full Text Reviews
Appeared in Choice on 2002-02-01:
Editor Holzer is author of 19 books and some 300 articles about the art and political culture of the Civil War era. Although not a specialist in the work of Prang, Holzer is probably the best person to write this book on the series of Civil War battle chromolithographs that Prang published in the 1880s. In addition to knowing the period inside out, Holzer has the ability to bring the period to life for today's readers. He has demonstrated this over and over again, especially as a public speaker on Abraham Lincoln and in his position as director of communications at the Metropolitan Museum of Art, New York. In this book, Holzer does not disappoint. He makes the reader very curious as to why chromos of Civil War battles were so popular in American homes in the 1880s, and then offers a well-researched, yet lively, explanation for the phenomenon. This book is important, both as a worthy scholarly addendum to Katherine Morrison McClinton's ground-breaking The Chromolithographs of Louis Prang (CH, May'74), and as a vehicle for creating more public interest in the almost forgotten art of chromolithography. Highly recommended. General readers; lower-division undergraduates through faculty. M. W. Sullivan Villanova University
Reviews
This item was reviewed in:
Choice, February 2002
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Summaries
Main Description
During the 1880s, a German-born, Boston-based picture publisher successfully commissioned the most ambitious series of battle prints ever published. Louis Prang, best known as the "father of the Christmas card," hired noted military and marine artists to create original scenes of combat, and then reproduced their works in a wildly popular portfolio of chromolithographs. He called the set Prang's War Pictures. They were offered to an eager public accompanied by "descriptive texts" that told the story of each engagement through eyewitness recollection by the heroes of each action. The set proved both appealing and influential, selling vigorously in various editions for a generation, and elevating the stature of military illustration in America. For 20 years, Civil War prints for the masses had featured uninspired, one-dimensional views of armies in hand-to-hand combat.Prang and his artists demonstrated genuine skill and imaginative perspective. They showed both real carnage and important technological advances, revealing both the broad sweep of panoramic battlefields and the intimate action of individual combatants. These famously sepia-toned chromos went on to become familiar illustrations in books and magazines-often offered as definitive examples of Civil War art. But until now, the complete set of 18 chromos has never been collected in a single volume. And the original "Descriptive Texts" first offered Prang's customers as marketing brochures to boost sales-a priceless historical archive in and of themselves-have never been published since, anywhere.Holzer reunites pictures and texts in an authoritative, milestone volume orchestrating prints and descriptions that resurrect Prang's original conception of battle art for the masses for a new generation. The book also features reproductions of the original works of art that inspired the prints, created on commission by battle painter Thure de Thulstrup and naval specialist Julian Oliver Davidson-now housed in art collections around the country-but seldom seen since they were commissioned by Prang as models for his ambitious chromolithographs. This long-needed complete Prang portfolio will undoubtedly become an essential collectible for Civil War aficionados in the country, as well as for libraries and university collections increasingly aware of the importance of art and iconography in defining the Civil War experience and the impact of Civil War memory.
Main Description
During the 1880s, a German-born, Boston-based picture publisher successfully commissioned the most ambitious series of battle prints ever published. Louis Prang, best known as the "father of the Christmas card," hired noted military and marine artists to create original scenes of combat, and then reproduced their works in a wildly popular portfolio of chromolithographs. He called the set Prang's War Pictures.They were offered to an eager public accompanied by "descriptive texts" that told the story of each engagement through eyewitness recollection by the heroes of each action. The set proved both appealing and influential, selling vigorously in various editions for a generation, and elevating the stature of military illustration in America. For 20 years, Civil War prints for the masses had featured uninspired, one-dimensional views of armies in hand-to-hand combat.Prang and his artists demonstrated genuine skill and imaginative perspective. They showed both real carnage and important technological advances, revealing both the broad sweep of panoramic battlefields and the intimate action of individual combatants.These famously sepia-toned chromos went on to become familiar illustrations in books and magazines-often offered as definitive examples of Civil War art. But until now, the complete set of 18 chromos has never been collected in a single volume. And the original "Descriptive Texts" first offered Prang's customers as marketing brochures to boost sales-a priceless historical archive in and of themselves-have never been published since, anywhere.Holzer reunites pictures and texts in an authoritative, milestone volume orchestrating prints and descriptions that resurrect Prang's original conception of battle art for the masses for a new generation. The book also features reproductions of the original works of art that inspired the prints, created on commission by battle painter Thure de Thulstrup and naval specialist Julian Oliver Davidson-now housed in art collections around the country-but seldom seen since they were commissioned by Prang as models for his ambitious chromolithographs. This long-needed complete Prang portfolio will undoubtedly become an essential collectible for Civil War aficionados in the country, as well as for libraries and university collections increasingly aware of the importance of art and iconography in defining the Civil War experience and the impact of Civil War memory.
Main Description
During the 1880s, a German-born, Boston-based picture publisher successfully commissioned the most ambitious series of battle prints ever published. Louis Prang, best known as the "father of the Christmas card," hired noted military and marine artists to create original scenes of combat, andthen reproduced their works in a wildly popular portfolio of chromolithographs. He called the set Prang's War Pictures.They were offered to an eager public accompanied by "descriptive texts" that told the story of each engagement through eyewitness recollection by the heroes of each action. The set proved both appealing and influential, selling vigorously in various editions for a generation, and elevating thestature of military illustration in America. For 20 years, Civil War prints for the masses had featured uninspired, one-dimensional views of armies in hand-to-hand combat. Prang and his artists demonstrated genuine skill and imaginative perspective. They showed both real carnage and importanttechnological advances, revealing both the broad sweep of panoramic battlefields and the intimate action of individual combatants.These famously sepia-toned chromos went on to become familiar illustrations in books and magazines - often offered as definitive examples of Civil War art. But until now, the complete set of 18 chromos has never been collected in a single volume. And the original "Descriptive Texts" first offeredPrang's customers as marketing brochures to boost sales - a priceless historical archive in and of themselves - have never been published since, anywhere. Holzer reunites pictures and texts in an authoritative, milestone volume orchestrating prints and descriptions that resurrect Prang's originalconception of battle art for the masses for a new generation. The book also features reproductions of the original works of art that inspired the prints, created on commission by battle painter Thure de Thulstrup and naval specialist Julian Oliver Davidson - now housed in art collections around the country - but seldom seen since they were commissioned byPrang as models for his ambitious chromolithographs. This long-needed complete Prang portfolio will undoubtedly become an essential collectible for Civil War aficionados in the country, as well as for libraries and university collections increasingly aware of the importance of art and iconography in defining the Civil War experience and the impact ofCivil War memory.
Unpaid Annotation
"Prang's Civil War Pictures proves yet again that the editor is the foremost expert on the iconography of America's Middle Period. Holzer is witty and perceptive when he shares with us the talent of Louis Prang whose Civil War 'pictures' made him a household name. Beautifully illustrated, this book will captivate anyone interested in the Civil War or nineteenth century art." -Chief Justice Frank J. Williams, Chair, The Lincoln Forum "Holzer has the ability to bring the period to life for today's readers...important...vehicle for creating more public interest in the almost forgotten art of chromolithography. Highly recommended." -M.W. Sullivan, Villanova University "This splendid volume should stand as the definitive treatment of Prang and his work." -Gary W. Gallagher, Professor of History at the University of Virginia and author of Lee and His Generals in War and Memory During the 1880s, a German-born, Boston-based picture publisher successfully commissioned the most ambitious series of battle prints ever published. Louis Prang, best known as the "father of the Christmas card," hired noted military and marine artists to create original scenes of combat, and then reproduced their works in a wildly popular portfolio of chromolithographs. He called the set Prang's War Pictures. They were offered to an eager public accompanied by "descriptive texts" that told the story of each engagement through eyewitness recollection by the heroes of each action. The set proved both appealing and influential, selling vigorously in various editions for a generation, and elevating the stature of military illustration in America. For 20 years, Civil War prints for the masses had featured uninspired, one-dimensional views of armies in hand-to-hand combat.Prang and his artists demonstrated genuine skill and imaginative perspective. They showed both real carnage and important technological advances, revealing both the broad sweep of panoramic battlefields and the intimate action of individual combatants. These famously sepia-toned chromos went on to become familiar illustrations in books and magazines-often offered as definitive examples of Civil War art. But until now, the complete set of 18 chromos has never been collected in a single volume. And the original "Descriptive Texts" first offered Prang's customers as marketing brochures to boost sales-a priceless historical archive in and of themselves-have never been published since, anywhere.Holzer reunites pictures and texts in an authoritative, milestone volume orchestrating prints and descriptions that resurrect Prang's original conception of battle art for the masses for a new generation. The book also features reproductions of the original works of art that inspired the prints, created on commission by battle painter Thure de Thulstrup and naval specialist Julian Oliver Davidson-now housed in art collections around the country-but seldom seen since they were commissioned by Prang as models for his ambitious chromolithographs. This long-needed complete Prang portfolio will undoubtedly become an essential collectible for Civil War aficionados in the country, as well as for libraries and university collections increasingly aware of the importance of art and iconography in defining the Civil War experience and the impact of Civil War memory.
Table of Contents
Prologuep. vii
Acknowledgmentsp. ix
Introductionp. 1
A Note on the Texts to Prang's War Picturesp. 45
The "Full Descriptive Text"
Sheridan's Final Charge at Winchesterp. 1
Laying the Pontons at Fredericksburgp. 57
Sheridan's Ridep. 61
Gettysburgp. 65
Battle of Antietamp. 73
Spotsylvania and the Bloody Anglep. 78
Chattanoogap. 85
Kenesaw Mountain: The Charge of Logan's Corpsp. 90
Holding the Pass at Allatoonap. 95
Siege of Atlantap. 99
Siege of Vicksburg: Assault on Fort Hillp. 104
Battle of Shilohp. 109
The Capture of New Orleansp. 116
Battle between the "Monitor" and "Merrimac"p. 120
Battle of Mobile Bayp. 124
"Kearsarge" and "Alabama": Hauling Down the Flagp. 129
Passing the Batteries at Port Hudsonp. 135
Capture of Fort Fisherp. 140
The Complete Color Portfolio Of "Prang's War Pictures"p. 145
Indexp. 181
Table of Contents provided by Syndetics. All Rights Reserved.

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