Catalogue


The work of writing : literature and social change in Britain, 1700-1830 /
Clifford Siskin.
imprint
Baltimore : Johns Hopkins University Press, 1998.
description
x, 285 p.
ISBN
0801856965 (alk. paper)
format(s)
Book
Holdings
More Details
imprint
Baltimore : Johns Hopkins University Press, 1998.
isbn
0801856965 (alk. paper)
catalogue key
1571141
 
Includes bibliographical references (p. [229]-269) and index.
A Look Inside
About the Author
Author Affiliation
Clifford Siskin is the A. C. Bradley Professor of English Literature at the University of Glasgow.
Full Text Reviews
Appeared in Choice on 1998-09-01:
Siskin (SUNY at Stony Brook) demonstrates that the contemporary discussion about television and the Internet influencing popular culture is reminiscent of another, earlier technological shift. In the 18th and early 19th centuries in England, the new technology was writing itself, and the birth of a dominant raw print culture redefined how people created and transmitted knowledge. The printing press and silent reading promulgated and enforced new divisions of knowledge, labor, social class, and literature. Siskin writes that in the 18th century "knowledge crucial to [specific genres] was first classified and written down within the subject-specific boundary lines that now configure the universities." Siskin's work divides into four broad sections: "Disciplinarity: The Political Economy of Knowledge," "Professionalism: The Poetics of Labor," "Novelism: Literature in the History of Writing," and "Gender: The Great Forgetting." The scope of the book extends far beyond the literary, but the author does discuss the impact of the work and reputations of Jane Austen, Samuel Johnson, Samuel Richardson, William Wordsworth, and others. He successfully relocates literature within a broader history of culture, writing, social change, economics, sociology, and communication theory. Recommended for graduate students, researchers, faculty--and even ambitious undergraduates. J. L. Thorndike Lakeland College
Reviews
Review Quotes
"Siskin's book proposes an entirely original synthesis. It draws very creatively upon recent discussions in a number of disciplines, chiefly literary studies broadly conceived. The scholarship is excellent, using both primary materials and recent research to brilliant advantage."--John Bender, Stanford University
"Despite the ferociously abstract character of these subjects, Siskin is always able to exemplify and particularize."--James Thompson, Novel
"Once again, Siskin has pulled it off brilliantly. I do not know how complicated the historicist's task will be ten years from now, but I am sure that Siskin will be taking it on, breaking new ground well ahead of the rest of us."-- Eighteenth-Century Fiction
"Siskin's already influential book goes even further, raising serious questions about the methodologies and founding principles of print-culture research."--Nicholas Hudson, Eighteenth-Century Life
"What is most striking about this book is its sense of the intricacy and mobility of the connections between these changing categories of knowing and working -- disciplinarity, professionalism, and Literature."--Paul Keen, Épilogue
This item was reviewed in:
Choice, September 1998
To find out how to look for other reviews, please see our guides to finding book reviews in the Sciences or Social Sciences and Humanities.
Summaries
Unpaid Annotation
"Siskin successfully relocates literature within a broader history of culture, writing, social change, economics, sociology, and communication theory."--ChoiceAs today's new technologies challenge the reign of writing, Clifford Siskin puts our current concerns about such change into history. In the 18th and early 19th centuries in Britain, he argues, the "new" technology was writing itself. How did its proliferation-in print and through silent reading-coalesce into the dominant forms of literary modernity, and with what consequences?What changed, strikingly and fundamentally, were ways of knowing and of working. Admonitions against young women reading novels were not merely matters of Augustan conservatism but signals of those shifts: they warned against the capacity of the technology to change those who used it. Despite such caution, Britain saw, between 1700 and 1830, the advent of both modern disciplinarity and modern professionalism. These new divisions of knowledge and of labor were the work of writing,
Main Description
" The Work of Writingis a deeply mature piece of scholarship involving dozens upon dozens of authors from all over the long eighteenth century. Not only is its sense of the 'textual' very broad, ranging from literature, to philosophy (which, Siskin argues, once occupied the disciplinary space that Literature does today), to economics and sociology, but in requiring that we wake up and think about enlightenment processes of cultural formation, it is itself exemplary of that process. Thinking very hard and on every page, it passes its own test in an exhilarating manner." -- Stuart Curran, University of Pennsylvania " The Work of Writingestablishes Cliff Siskin as one of our most subtle and theoretically sophisticated scholars of Romantic cultural studies and the New Historicism. This book, breath-taking in its range, documents the growing professionalisation of writing in England in the eighteenth-century, as well as the ways in which both nationalist and entrepreneurial impulses worked to exclude women writers from the new category of 'professional writer' in the nineteenth century." -- Anne K. Mellor, University of California, Los Angeles In an enterprise strikingly termed 'dedisciplinary,' Clifford Siskin's book undertakes a daring fusion of literary and social theory. Drawing with remarkable breadth on scholarship in history and in the social sciences, Prof. Siskin aims not just to understand a group of literary texts, but to rethink on a historical basis the whole concept of literature. Meticulously detailed and closely argued in its attention to a large range of major and minor writers, to questions of the public, the nation, gender, and genre, it has had an immediate impact on Romantic studies and is essential reading for any scholar wishing to know what matters in the field today." -- Marshall Brown, University of Washington "This book has an audaciously grand sweep to it-Siskin appears to have read everything composed between the Restoration and Victorian England-and a vast conceptual territory-the emergence and interrelation of three central abstractions: discipline, profession, and literature. As with all of his previous work, this too effectively combines vast historical knowledge with theoretical sophistication. I know of no one else who can move so easily among Dryden, Wordsworth, and Foucault, and hold all three in rich historical relation. The results are everywhere startling." -- Thompson, University of North Carolina, Chapel Hill " The Work of Writingis a tour de force that pulls together Siskin's work on Wordsworth and Austen with an extensive array of lesser known literary figures and represents them all as major players in the historical drama of professionalizing writing, a drama whose outcome determined the kind of work we now perform as literary scholars." -- Nancy Armstrong, Brown University "Clifford Siskin's important and original new book provides a sustained and often provocative material history of writing during what some now call the long eighteenth century. He questions received wisdom on the relation of writing and work, remaining alert to the implications of his findings for our own moment of disciplinary crisis. His comments on disciplinarity and professionalism, gender and georgic, nationalism and 'novelism' should reach a wide audience." -- Robert Folkenflik, University of California Irvine "This powerful book is at once a contribution to theory and to the literary history of the long eighteenth century. Siskin brilliantly engages terms such as 'profession,' 'disciplinarity,' 'nation,' 'lyric,' 'novel,' and the two nouns of his title to give these words a new resonance as he maps out the profound changes that British literature and society underwent during the 18th and early 19th centuries." -- Herbert Lindenberger, Stanford University "Siskin is a magnificent synthesizer, perhaps the best in the f
Table of Contents
Acknowledgmentsp. ix
The Argument: Writing as a New Technologyp. 1
Disciplinarity: The Political Economy of Knowledge
Writing Havocp. 29
Engendering Disciplinarityp. 54
Scottish Philosophy and English Literaturep. 79
Professionalism: The Poetics of Labor
The Georgic at Workp. 103
The Lyricization of Laborp. 130
Novelism: Literature in the History of Writing
Periodicals, Authorship, and the Romantic Rise of the Novelp. 155
The Novel, the Nation, and the Naturalization of Writingp. 172
Gender: The Great Forgetting
What We Remember: The Case of Austenp. 193
How We Forgot: Reproduction and Reverse Vicariousnessp. 210
Notesp. 229
Indexp. 271
Table of Contents provided by Syndetics. All Rights Reserved.

This information is provided by a service that aggregates data from review sources and other sources that are often consulted by libraries, and readers. The University does not edit this information and merely includes it as a convenience for users. It does not warrant that reviews are accurate. As with any review users should approach reviews critically and where deemed necessary should consult multiple review sources. Any concerns or questions about particular reviews should be directed to the reviewer and/or publisher.

  link to old catalogue

Report a problem